w. end ave. e-journal - Literary Criticism - Foreign Affairs

w. end ave.: an e-journal of culture and politics  

This issue is devoted to a long essay in sociological theory. Its contention is that political institutions can be understood as "stand by" institutions, which means ones that are called upon to operate in emergencies and only sometimes as ongoing operating institutions. You elect a President so that he will preside over what is unanticipated, not what is anticipated, even though he runs on issues that are the focus of the days before the election. The reason for this is that political institutions are based on the everyday nominal roles that are assigned to people so as to make standing on line in a bakery or to get into a rock concert more managable. You are not "96"; that is only your place in line. Read the article to get your head around this contrary to common sense understanding of politics.


The purpose of this e-journal is to use in tandem the techniques of literary criticism and social structural analysis to illuminate American politics and the various institutions in American society and sometimes matters more global, like religion or war, by turning an eye on the events and objects and performances that are considered art and entertainment, those defined broadly enough to include whatever is covered in newspapers and other media. Another concern is to pick up the texture of social life, both in the United States and in general, through the analysis of those events, objects and performances that are to be found in everyday life.
Contact Us

 

Issue No. 67
August 23, 2012


Earlier Issues

List Articles by Topic


The Political Ticker

Previous Political Tickers

No Articles Yet!


The Cultural Ticker

Previous Cultural Tickers

No Articles Yet!

 

A new issue of “w. end ave.: an e-journal of culture and politics” is published once every three weeks or so. It is edited, owned, and where not indicated as otherwise, written by Martin Wenglinsky. The rights to all materials published here are copyright © 2008 by Martin Wenglinsky